L’ange protecteur (The Guardian Angel) - Zürich, Switzerland
Posted by: vraatja
N 47° 22.675 E 008° 32.425
32T E 465307 N 5247264
Weighing 1.2 tonnes and more than 11 metres tall sculpture called L’ange protecteur (The Guardian Angel) hanging high above the heads of travelers in the large hall at the Main Railway Station in Zurich protects them day and night.
Waymark Code: WMDT25
Location: Zürich, Switzerland
Date Posted: 02/21/2012
Views: 34
Walking into the large hall of the Zurich main railway station, it is very hard not to notice the giant colorful angel sculpture suspended gracefully metres off the ground. It was installed to the station in 1997 as a gift from the Securitas company to mark the 150th anniversary of railways in Switzerland. It is the work of the world-famous French artist Niki de Saint Phalle, and one of a series of sculptures entitled ‘Nana’, a project which the artist undertook to document the changing roles of women.
Weighing 1.2 tonnes and more than 11 metres tall, the angel was shipped in three parts from the USA to Basel via Rotterdam and then transported to Zurich on a low loader. In Zurich she was reassembled and then raised into the position where she hangs today.
About the author
Niki de Saint-Phalle's cheerful, sumptuous «Nana» figures earned the artist international renown.
Born in a suburb of Paris in 1930, Niki de Saint Phalle grew up mainly in the USA. In 1951 she returned to Paris, where she started painting in 1953.
In 1964 she created the first «Nanas» – figures of everywoman in opulent, rounded shapes – out of wire and fabric. However, she soon changed her technique and henceforth worked primarily in polyester.
Initially, these figures provoked a full-blown «artistic scandal» and drew condescending smiles from her artist colleagues. Today the public and art critics and art historians alike recognise in the figures a contemporary expression of what it means to be a woman. «I titled my first Nana exhibition Nana Power», the artist explains. «For me they were the symbol of cheerful, liberated woman.» Twenty years later, however, her take on the «Nanas» had changed. Niki de Saint-Phalle now saw her figures as harbingers of a new matriarchal age.
In the international art market Niki de Saint-Phalle's cheerful, life-affirming figures are among the most popular works of contemporary art.
Through her marriage with Jean Tinguely, Niki de Saint Phalle acquired Swiss nationality in 1971.
Niki de Saint Phalle spent her later years in San Diego, California, where she died on 21 May 2002 aged 71 after a long illness.
Two years previously she had received the Praemium Imperiale, known as the «Nobel Prize for the Arts», a global arts prize awarded annually by the Japan Art Association.
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