
Igreja do Convento de Cristo - Tomar, Portugal
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N 39° 36.206 W 008° 25.133
29S E 549889 N 4383904
The Convent of Christ in the city of Tomar, is an historical monument UNESCO World Heritage site
Waymark Code: WMD2TW
Location: Santarém, Portugal
Date Posted: 11/11/2011
Views: 8
The Convent of the Order of Christ is a religious building and Roman Catholic building in Tomar, Portugal, originally a Templar stronghold built in the 12th century. After the Order of the Knights Templar was dissolved in the 14th century, the Portuguese branch of the order was turned into the Knights of the Order of Christ, which supported Portugal's maritime discoveries of the 15th century.
The Convent of Christ of Tomar is one of Portugal's most important historical and artistic monuments and has been in the World Heritage list of UNESCO since 1983.
THE CHURCHThe Romanesque round church is a Roman Catholic Church from the castle (charola, rotunda) was built in the second half of the 12th century by the Knights Templar. From the outside, the church is a 16-side polygonal structure, with strong buttresses, round windows and a bell-tower. Inside, the round church has a central, octagonal structure, connected by arches to a surrounding gallery (ambulatory). The general shape of the church is modelled after similar round structures in Jerusalem: the Mosque of Omar and the Church of the Holy Sepulchre.
The capitals of the columns are still Romanesque (end of 12th century) and depict vegetal and animal motifs, as well as a Daniel in the Lions' Den scene. The style of the capitals shows the influence of artists working on the Cathedral of Coimbra, which was being built at the same time as the round church.
The interior of the round church is magnificently decorated with late gothic/manueline sculpture and paintings, added during a renovation sponsored by King Manuel I starting in 1499. The pillars of the central octagon and the walls of the ambulatory have polychrome statues of saints and angels under exuberant Gothic canopies, while the walls and ceilings of the ambulatory are painted with Gothic patterns and panels depicting the life of Christ. The paintings are attributed to the workshop of the court painter of Manuel I, the Portuguese Jorge Afonso, while the sculptured decoration is attributed to Flemish sculptor Olivier de Gand and the Spaniard Hernán Muñoz. A magnificent panel depicting the martyrdom of Saint Sebastian, by Portuguese painter Gregório Lopes, was painted for the Round Church and now hangs in the National Museum of Ancient Art in Lisbon.
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