This Fine Art America puzzle by David Davis measures 18 X 24 inches and includes 500 pieces. It is made from premium 0.2 inch thick paper and includes a semi-gloss coating on the top surface.
Angkor Thom is the royal city built by Jayavarman VII, Buddhist king of the Khmer Empire, at the end of the 12th century and the beginning of the 13th century, after the conquest and destruction of Angkor by the Chams. Its current name, Angkor Thom, means "the great city." It was the longest-lasting capital of the ancient Khmer Empire.
Our first three photos show the south gate of Angkor Thom with its stone faces and on the left a row of 54 statues of guardian gods (devas). The fourth photo shows the Bayon, the Khmer temple located in the center of Angkor Thom and the last photo shows two statues of demon gods (there are 54 to the right of the causeway).
"From Wikipedia: "At the centre of Angkor Thom is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north. The site is one of the major tourist attractions of southeast Asia.
Angkor Thom lies on the west bank of the Siem Reap River, a tributary of Tonle Sap, about a quarter of a mile from the river. The south gate of Angkor Thom is 7.2 km north of Siem Reap, and 1.7 km north of the entrance to Angkor Wat. The walls, 8 m high and flanked by a moat, are each 3 km long, enclosing an area of 9 km². The walls are of laterite buttressed by earth, with a parapet on the top. There are gates at each of the cardinal points, from which roads lead to the Bayon at the centre of the city. As the Bayon itself has no wall or moat of its own, those of the city are interpreted by archaeologists as representing the mountains and oceans surrounding the Bayon's Mount Meru. Another gate—the Victory Gate—is 500 m north of the east gate; the Victory Way runs parallel to the east road to the Victory Square and the Royal Palace north of the Bayon. It is around 30 minutes from central Siem Reap.
The faces on the 23 m towers at the city gates, which are later additions to the main structure, take after those of the Bayon and pose the same problems of interpretation. They may represent the king himself, the bodhisattva Avalokiteshvara, guardians of the empire's cardinal points, or some combination of these. A causeway spans the moat in front of each tower: these have a row of devas on the left and asuras on the right, each row holding a naga in the attitude of a tug-of-war. This appears to be a reference to the myth, popular in Angkor, of the Churning of the Sea of Milk. The temple-mountain of the Bayon, or perhaps the gate itself, would then be the pivot around which the churning takes place. The nagas may also represent the transition from the world of men to the world of the gods (the Bayon), or be guardian figures. The gateways themselves are 3.5 by 7 m, and would originally have been closed with wooden doors. The south gate is now by far the most often visited, as it is the main entrance to the city for tourists. At each corner of the city is a Prasat Chrung—corner shrine—built of sandstone and dedicated to Avalokiteshvara. These are cruciform with a central tower, and orientated towards the east.
Within the city was a system of canals, through which water flowed from the northeast to the southwest. The bulk of the land enclosed by the walls would have been occupied by the secular buildings of the city, of which nothing remains. This area is now covered by forest.
Most of the great Angkor ruins have vast displays of bas-relief depicting the various gods, goddesses, and other-worldly beings from the mythological stories and epic poems of ancient Hinduism. Mingled with these images are actual known animals, like elephants, snakes, fish, and monkeys, in addition to dragon-like creatures that look like the stylized, elongated serpents (with feet and claws) found in Chinese art.
But among the ruins of Ta Prohm, near a huge stone entrance, one can see that the "roundels on pilasters on the south side of the west entrance are unusual in design."
What one sees are roundels depicting various common animals—pigs, monkeys, water buffaloes, roosters and snakes. There are no mythological figures among the roundels, so one can reasonably conclude that these figures depict the animals that were commonly seen by the ancient Khmer people in the twelfth century." (
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