Cache is outside the palace grounds.
Magnetic Nano Cache - look under top of tourist sign.
The Grand Palace
(Thai: พระบรมมหาราชวัง, Phra Borom Maha Ratcha Wang) is a complex of buildings at the heart of Bangkok, Thailand. The palace has been the official residence of the Kings of Siam (and later Thailand) since 1782. The king, his court and his royal government were based on the grounds of the palace until 1925. The present monarch, King Bhumibol Adulyadej (Rama IX), currently resides at Chitralada Palace, but the Grand Palace is still used for official events. Several royal ceremonies and state functions are held within the walls of the palace every year.
Construction of the palace began on 6 May 1782, at the order of King Buddha Yodfa Chulaloke (Rama I), the founder of the Chakri Dynasty, when he moved the capital city from Thonburi to Bangkok. Throughout successive reigns, many new buildings and structures were added, especially during the reign of King Chulalongkorn (Rama V). By 1925 the king, the Royal Family and the government were no longer permanently settled at the palace, and had moved to other residences. After the abolition of absolute monarchy in 1932 all government agencies completely moved out of the palace.
In shape, the palace complex is roughly rectangular and has a combined area of 218,400 square metres (2,351,000 sq ft), surrounded by four walls. It is situated on the banks of the Chao Phraya River at the heart of the Rattanakosin Island, today in the Phra Nakhon District. The Grand Palace is bordered by Sanam Luang and Na Phra Lan Road to the north, Maharaj Road to the west, Sanamchai Road to the east and Thai Wang Road to the south.
Rather than being a single structure, the Grand Palace is made up of numerous buildings, halls, pavilions set around open lawns, gardens and courtyards. Its asymmetry and eclectic styles are due to its organic development, with additions and rebuilding being made by successive reigning kings over 200 years of history. It is divided into several quarters: the Temple of the Emerald Buddha; the Outer Court, with many public buildings; the Middle Court, including the Phra Maha Monthian Buildings, the Phra Maha Prasat Buildings and the Chakri Maha Prasat Buildings; the Inner Court and the Siwalai Gardens quarter. The Grand Palace is currently partially open to the public as a museum, however it remains a working palace as several royal offices are still situated inside. The palace is one of the most popular tourist attractions in Thailand.
History
The construction of the Grand Palace began on 6 May 1782, at the order of King Buddha Yodfa Chulaloke (Rama I). Having seized the crown from King Taksin of Thonburi, King Rama I was intent on building a capital city for his new Chakri Dynasty. He decided to move the seat of power from the city of Thonburi, on the west side of the Chao Phraya river, to the east side at Bangkok. The new capital city was turned into an artificial island when canals were dug along the east side. The island was given the name 'Rattanakosin'. The previous royal residence was the Derm Palace, constructed for King Taksin in 1768.
The new palace was built on a rectangular piece of land on the very west side of the island, between Wat Pho to the south, Wat Mahathat to the north and with the Chao Phraya river along the west. This location was previously occupied by a Chinese community, whom King Rama I had ordered to relocate to an area south and outside of the city walls; the area is known today as Yaowarat (Chinatown).
Desperate for materials and short on funds, the palace was initially built entirely out of wood, its various structures surrounded by a simple log palisade. On 10 June 1782, the king ceremonially crossed the river from Thonburi to take permanent residence in the new palace. Three days later on 13 June the king held an abbreviated coronation ceremony, thus becoming the first monarch of the new Rattanakosin Kingdom. Over the succeeding years the king began replacing wooden structures with masonry, rebuilding the walls, forts, gates, throne halls and royal residences. This rebuilding included the royal chapel, which would come to house the Emerald Buddha.
To find more material for these constructions, King Rama I ordered his men to go upstream to the old capital city of Ayutthaya, which was destroyed in 1767 during a war between Burma and Siam. They were tasked with the dismantling and removal of as many bricks as they could find, while not removing any from the temples. They began by taking materials from the forts and walls of the city; by the end they had completely levelled the old royal palaces. The bricks were ferried down the Chao Phraya by barges, where they were eventually incorporated into the walls of Bangkok and the Grand Palace itself. Most of the initial construction of the Grand Palace during the reign of King Rama I was carried out by conscripted or corvée labour. After the final completion of the ceremonial halls of the palace, the king held a full traditional coronation ceremony in 1785.
The layout of the Grand Palace followed that of the Royal Palace at Ayutthaya in location, organization, and in the divisions of separate courts, walls, gates and forts. Both palaces featured a proximity to the river. The location of a pavilion serving as a landing stage for barge processions also corresponded with that of the old palace. To the north of the Grand Palace there is a large field, the Thung Phra Men (now called Sanam Luang), which is used as an open space for royal ceremonies and as a parade ground. There was also a similar field in Ayutthaya, which was used for the same purpose. The road running north leads to the Front Palace, the residence of the Second King of Siam.
The Grand Palace is divided into four main courts, separated by numerous walls and gates: the Outer Court, the Middle Court, the Inner Court and the Temple of the Emerald Buddha. Each of these court's functions and access are clearly defined by laws and traditions. The Outer Court is situated on the northwestern part of the Grand Palace; within are the royal offices and (formerly) state ministries. To the northeast is the Temple of the Emerald Buddha, the royal chapel and home of the Emerald Buddha. The Middle Court housed the most important state apartments and ceremonial throne halls of the king. The Inner Court, situated at the most southern end of the complex, was reserved only for females, as it housed the king's harem.
In the reign of King Buddha Loetla Nabhalai (Rama II), the total area of the Grand Palace was expanded south, up to the walls of Wat Pho. Previously this area was home to offices of various palace officials. This expansion increased the area of the palace from 213,674 square metres (2,299,970 sq ft) to 218,400 square metres (2,351,000 sq ft). New walls, forts and gates were constructed to accommodate the enlarged compound. Since this expansion, the palace has remained within its walls with new construction and changes being made only on the inside.
In accordance with tradition, the palace was initially referred to only as the Phra Ratcha Wang Luang (พระราชวังหลวง) or 'Royal Palace', similar to the old palace in Ayutthaya. However in the reign of King Mongkut (Rama IV) the name Phra Boromma Maha Ratcha Wang or 'Grand Palace' was first used in official documents. This change of name was made during the elevation of Prince Chutamani (the king's younger brother) to the title of Second King Pinklao in 1851. The proclamation of his title described the royal palace as the 'supreme' (บรม; Borom) and 'great' (มหา; Maha) palace. This title was given in order to distinguish the palace from the Second King's palace (the Front Palace), which was described as the Phra Bovorn Ratcha Wang (พระบวรราชวัง) or the 'glorious' (บวร; Bovorn) palace.
Throughout the period of absolute monarchy, from 1782 to 1932, the Grand Palace was both the country's administrative and religious centre. As the main residence of the monarch, the palace was also the seat of government, with thousands of inhabitants including guardsmen, servants, concubines, princesses, ministers and courtiers. The palace's high whitewashed castellated walls, full of forts and guard posts, mirrored those of the walls of Bangkok itself, and thus the Grand Palace was envisioned as a city within a city. For this reason a special set of Palace Laws were created to govern the inhabitants and to establish hierarchy and order.
By the 1920s a series of new palaces were constructed elsewhere for the king's use; these included the more modern Dusit Palace, constructed in 1903, and Phaya Thai Palace in 1909. These other Bangkok residences began to replace the Grand Palace as the primary place of residence of the monarch and his court. By 1925 this gradual move out of the palace was complete. The growth and centralization of the Siamese state also meant that the various government ministries have grown in size and were finally moved out of the Grand Palace to their own premises. Despite this the Grand Palace remained the official and ceremonial place of residence as well as the stage set for elaborate ancient ceremonies of the monarchy. The end of the absolute monarchy came in 1932, when a revolution overthrew the ancient system of government and replaced it with a constitutional monarchy.
Today the Grand Palace is still a centre of ceremony and of the monarchy, and serves as a museum and tourist attraction as well.
Chakri Mahaprasad Hall
When King Buddha Yodfa Chulaloke (Rama I) decided to move the capital of Siam from Thonburi on the west to Bangkok on the east of the Chao Phraya River he decided to build a magnificent new palace as a place of residence as well as a centre of government. The area chosen was however occupied by Chinese merchants, whom he promptly asked to relocate (to the present day Yaowarat area).
The tower of gold began construction on 6 May 1782. At first the palace consisted of several wooden buildings surrounded on four sides with a high defensive wall of 1,900 metres in length, which encloses an area of 218,400 square metres. Soon the King ordered the building of the Temple of the Emerald Buddha; as the Monarch’s personal place of worship and royal temple. Once the palace was complete the King decided to under go a coronation ceremony to celebrate in 1785.
The plan of the Grand Palace followed closely that of the old palace in Ayutthaya. The Palace is rectangular shaped, with the western side next to a river and the royal temple situated to the east side, with all structures facing north. The palace itself is divided into three quarters: the outer quarters, the middle quarters and the inner quarters.
The palace became the centre of the Rattanakosin government and royal court for most of the early Chakri Dynasty until the reign of King Chulalongkorn (Rama V) who preferred to stay at the Dusit Palace, but still used the Grand Palace as an office and primary place of residence. This practice was followed by his sons (Rama VI and Rama VII) who preferred their own palaces. King Ananda Mahidol (Rama VIII) moved into the palace full time after his return from abroad in 1945. However after his mysterious death a year later in one of the palaces inside the complex, his brother King Bhumibol Adulyadej (Rama IX) who succeeded him decided to move permanently to the Chitralada Palace.
The Palace is however still very much in use; as many royal rituals are performed here by the King every year. Other royal ceremonies celebrated here are coronations; royal funerals, marriages and state banquets. The Palace grounds also contain the offices and buildings of the Bureau of the Royal Household, the Office of the Private Secretary to the King and Royal Institute of Thailand.
Wat Phra Kaew (Emerald Buddha)
(Thai: วัดพระแก้ว, RTGS: Wat Phra Kaeo, IPA: [wát pʰráʔ kɛ̂ːw], Pronunciation, English: Temple of the Emerald Buddha; full official name Wat Phra Si Rattana Satsadaram, Thai: วัดพระศรีรัตนศาสดาราม, IPA: [wát pʰráʔ sǐː rát.ta.náʔ sàːt.sa.daː.raːm]) is regarded as the most sacred Buddhist temple (wat) in Thailand. It is a "potent religio-political symbol and the palladium [safeguard] of Thai society". It is located in the historic centre of Bangkok (district Phra Nakhon), within the precincts of the Grand Palace.
The main building is the central ubosoth, which houses the statue of Emerald Buddha. The legendary history of this Buddha image is traced to India, five centuries after the Lord Buddha attained Nirvana, till it was finally enshrined in Bangkok at the Wat Phra Kaew temple in 1782 during Rama I's reign (1782–1809). This marked the beginning and raise of the Chakri Dynasty of the present Kingdom of Thailand (the present head of the dynasty is King Rama IX) The Emerald Buddha, a dark green statue, is in a standing form, about 66 centimetres (26 in) tall, carved from a single jade stone (Emerald in Thai means deep green colour and not the specific stone). It is carved in the meditating posture in the style of the Lanna school of the northern Thailand. Except for the Thai King, no other person is allowed to touch the statue. The King changes the cloak around the statue three times a year, corresponding to the summer, winter, and rainy seasons, an important ritual performed to usher good fortune to the country during each season.
While legend traces this statue to India, its rich historical records dates its finding in Cambodia in the 15th century, moved to Laos in the 16th century and then to Vientiane where it remained for 215 years, and finally to Thailand in the 18th century. Considering the long history and Nagasena's (a Brahmin who became a Buddhist sage and lived about 150 BC) prophesy that the Emerald Buddha would bring "prosperity and pre-eminence to each country in which it resides", the Emerald Buddha deified in the Wat Phra Kaew is deeply revered and venerated in Thailand as the protector of the country.
Legend of the Emerald Buddha
The earliest legend narrated to the iconic emerald image of the Buddha is that of Nagasena, a saint in India who with the help of Hindu god, Vishnu and demigod Indra got the Emerald Buddha image made, 500 years after Buddha attained Nirvana, from the precious stone of Emerald. Nagasena had, with his psychic powers predicted then that:
The image of the Buddha is assuredly going to give to religion the most brilliant importance in five lands, that is in Lankadvipa (Sri Lanka), Ramalakka, Dvaravati, Chieng Mai and Lan Chang (Laos).
As regards the historical legend of What Phra Kaew, it was originally known as the "Wat Pa Yia", (Bamboo Forest Monastery) in the Chiang Rai province of Northern Thailand. The What was struck by a lightning storm in 1434, when the octagonal Chedi broke up and revealed the Emerald Buddha (made of Jade), locally known as Phra Kaew Morakot. From there it was moved, initially to Vientianne and finally to Bangkok where it was deified in the temple by the original name, What Phra Kaew.
Another legend mentions that attempts made by the King of Chiang Mai to possess the statue after it was found in 1434; these failed thrice because the elephants transporting the statue refused to proceed beyond a crossroad in Lampang. The King of Chiang Mai considered the incident to be a strong divine directive and allowed the Buddha statue to remain in Lampang, where it remained for the next 32 years in an exclusively built temple.
History
The Emerald Buddha statue originated in India as explained in the legend, but it is also linked to first vassal Kingdom of Cambodia. The image disappeared when Burmese raiders sacked Ayuttaya also spelt "Ayudaya" and the image was feared lost.
Continuing with the legend of the saint Nagasena of India, after remaining in Pataliputra (present day Patna) for three hundred years, the Emerald Buddha image was taken to Sri Lanka to save it from a civil war. In 457, King Anuruth of Burma sent a mission to Ceylon with a request for Buddhist scriptures and the Emerald Buddha, in order to promote Buddhism in his country. These requests were granted, but the ship lost its way in a storm during the return voyage and landed in Cambodia. When the Thais captured Angkor Wat in 1432 (following the ravage of the bubonic plague), the Emerald Buddha was taken to Ayutthaya, Kamphaeng Phet, Laos and finally Chiang Rai, where the ruler of the city hid it. Cambodian historians recorded capture of the Buddha statue in their famous Preah Ko Preah Keo legend.
The Emerald Buddha reappeared in a chance discovery in Chiang Rai in 1434, after a lightning storm struck a temple. The Buddha statue fell down and was chipped. The storm had washed away some of its mud plaster covering (mud coat or stucco used to be laid to safeguard valuable Buddha images). The monks, after removing the plaster around the statue, discovered that the image was a perfectly made Buddha image from a solid piece of Jade, a precious stone. After that, the image moved around a few temples in Northern Thailand. It was then moved to Chiang Rai, then Chiang Mai, from where it was removed by prince Chao Chaiyasetthathirat to Luang Prabang, when his father died and he ascended the throne of both Lanna and Lan Xang, in 1551. The statue remained here for twelve years. Chaiyasetthathirat then shifted it to his new capital of Lan Xang in Vientiane in the 1560s. He took the Emerald Buddha with him and thereafter the image remained in Vientiane for two hundred and fifteen years until 1778. In the early 18th century, the Kingdom of Lan Xang was divided into 3 different kingdoms; Vientiane, Luang Prabang, and Champassak.
King Taksin of Thonburi (Siam, now Thailand) was crowned king in 1768 (he had defeated the Burmese), reigned for fifteen years, united the kingdom and expanded its territorial jurisdiction. Chao Phya Chakri (Chakri is a title) a renowned army general and associate of Taksin, in 1778, defeated the Vientiane and shifted the Emerald Buddha from Vientiane to Thonburi where it remained till Taksin's death. It was then deified in a shrine close to Wat Arun. Chroniclers mention that Taksin had become senile and consequently he was put to death by Chao Phra Chakri. Chao Phra Chakri then took over the reins of the Rattanakosin Kingdom. He adopted the title Rama I and shifted his capital across the Menam Chao Phra river to its present location in Bangkok. The Emerald Buddha was also moved across the river with pomp and pageantry and deified in the temple of Wat Phra Keo. It resides in the Wat Phra Kaew in the precincts of the Grand Palace. Rama I, after he moved the capital from Thonburi to Bangkok, got the temple consecrated in 1784. The King had ordered replacing an old temple that existed at this site in the 16th century, by building the new temple, as part of his new capital; both were built concurrently. It was built as an exclusive temple only to display holy buildings, statues, and pagodas. The formal name of Wat Phra Kaeo is Phra Sri Rattana Satsadaram, which means "the residence of the Holy Jewel Buddha."
Phibunsongkhram, a World War II hero of Thailand, the Prime Minister, Commander-in-Chief of the Army and Supreme Commander of the Armed Forces in 1941 had signed a formal treaty of alliance between the two Buddhist countries of Thailand and Japan in the divine presence of the Emerald Buddha in the wat. He had royal ambitions of shifting the capital from Bangkok to his home town Phetchabun along with the Emerald Buddha. He later gave up his plan under public pressure and also fear of bombing during the war.
However, there are also claims that the statue was originally in Sri Lanka. Art historians of Thailand claim that it was cast in the 14th century in Thailand only. All these theories are discounted on the grounds that none of the historians could get a close look at the statue.
Architecture
Wat Phra Kaeo has a plethora of buildings within the precincts of the Grand Palace, which covers a total area of over 94.5 hectares (234 acres). It has over 100 buildings with “200 years royal history and architectural experimentation” linked to it. The architectural style is named as Rattanakosin style (old Bangkok style). The main temple of the Emerald Buddha is very elegantly decorated and similar to the temple in ancient capital of Ayudhya. The roof is embellished with polished orange and green tiles, the pillars are inlaid in mosaic and the pediments are made of rich marble. The Emerald Buddha is deified over an elevated altar surrounded by large gilded decorations. While the upper part of this altar was part of the original construction, the base was added by King Rama III. Two images of the Buddha, which represent the first two kings of the Chakri dynasty, flank the main image. Over the years, the temple has retained its original design. However, minor improvements have been effected after its first erection during Rama I's reign; wood-work of the temple was replaced by King Rama III and King Chulalongkorn; during King Mongkut's reign, the elegant doors and windows and the copper plates on the floor were additions, Rama III refurbished the wall painting (indicative of the universe according to Buddhist cosmology) and several frescoes that display the various stages of the Buddha's life; three chambers were added on the western side by King Mongkut; in the chamber known as 'Phra Kromanusorn' at the northern end, images of Buddha have been installed in honour of the kings of Ayudya; and in the 19th century, In Khong, a famous painter executed the wall murals. The entry to the temple is from the third gate from the river pier.
The entrance is guarded by a pair of yakshis (mythical giants – 5 metres (16 ft) high statues). The eponymous image Buddha in brilliant green colour is 66 centimetres (26 in) in height with a lap width of 48.3 centimetres (19.0 in). It is carved in a yogic position, known as Virasana (a meditation pose commonly seen in images in Thailand and also in South India, Sri Lanka and Southeast Asia). The pedestal on which the Emerald Buddha deified is decorated with Garuda (the mythical half-man half-bird form, a steed of Rama, who holds his mortal enemy Naga the serpent in his legs) motifs It is central to Thai Buddhism. The image made with a circular base has a smooth top-knot that is finished with a "dulled point marking at the top of the image". A third eye made in gold is inset over the elevated eyebrows of the image. The image appears divine and composed, with the eyes cast downward. The image has a small nose and mouth (mouth closed) and elongated ears. The hands are seen on the lap with palms facing upwards.
External decorations of the Ubosoth, the main building of Wat Phra Kaew The entire complex, including the temples, is bounded by a compound wall which is one of the most prominent part of the wat is about 2 kilometres (6,600 ft) length. The compound walls are decorated with typically Thai murals, based on the Indian epic Ramayana. In Thai language these murals are known to form the Ramakian, the Thai national epic, which was written during the reign of Rama I. The epic stories formed the basic information to draw the paintings during the reign of King Rama I (1782–1809). These paintings are refurbished regularly. The murals, in 178 scenes, starting with the north gate of the temple illustrates the complete epic story of Ramayana sequentially, in a clockwise direction covering the entire compound wall. The murals serve to emphasise human values of honesty, faith, and devotion.
There are twelve salas that were built by Rama I, around the temple. They house interesting artefacts of regions such as Cambodia and Java. One of these salas had an inscription of Ramkamhaeng, which was shifted, in 1924, to the National Library. During the reign of King Mongkut, the Phra Gandharara – small chapel on the southwest corner – and a tall belfry were new additions.
Worship and ceremonies
Monument with insignia of King Rama IX within Wat Phra Kaew showing the Octagonal Throne with a discus with Thai numeral 9 inside and a seven-tiered Umbrella of State
Early in the Bangkok period, the Emerald Buddha used to be taken out of its temple and paraded in the streets to relieve the city and countryside of various calamities (such as plague and cholera). However, this practice was discontinued during Rama IV's reign as it was feared that the image could get damaged during the procession and also a practical line of thinking that Rama IV held "that diseases are caused by germs, not by evil spirits or the displeasure of the Buddha". The image also marks the changing of the seasons in Thailand, with the king presiding over the seasonal ceremonies.
Like many other Buddha statues in Thailand, the Emerald Buddha is dressed in a seasonal costume. It is a significant ritual held at this temple. In this ritual, dress of the deity is changed three times a year to correspond to the seasons. In summer it is a pointed crown of gold and jewels, and a set of jewelled ornaments that adorns the image from the shoulders to the ankles. In winter, a meshed dressing gown or drapery made of gold beads, which covered from the neck down like a poncho is used. During the rainy months, a top-knot headdress studded with gold, enamel and sapphires; the gold attire in the rainy season is draped over the left shoulder of the deity, only with the right shoulder left bare while gold ornaments embellish the image up to the ankles. The astrological dates for the ritual ceremonies, at the changing of the seasons, followed are in the 1st Waning Moon of Lunar Months 4, 8 and 12 (around March, July and November). The costume change ritual is performed by the Thai king who is the highest master of ceremonies for all Buddhist rites. On each occasion, the king himself "cleans the image by wiping away any dust that has collected and changing the headdress of the image". Then a king's royal attendant climbs up and performs the elaborate ritual of changing garments of the image as the king is chanting prayers to the deity. On this occasion, the king sprinkles water over the monks and the faithful who have assembled to witness the unique ritual and seeks blessings of the deity for good fortune during the upcoming season. The two sets of clothing not in use at any given time are kept on display in the nearby Pavilion of Regalia, Royal Decorations and Coins in the precincts of the Grand Palace. While Rama I initiated this ritual for the hot season and the rainy season, Rama III introduced the ritual for the winter season. The robes, which the image adorns, represents that of monks and King's depending on the season, a clear indication of highlighting its symbolic role "as Buddha and the King", which role is also enjoined on the Thai King who formally dresses the Emerald Buddha image.
A ceremony that is observed in the wat is the Chakri Day (begun on April 6, 1782), a national holiday to honour founding of the Chakri dynasty. On this day, the king attends the ceremony. The present king Rama IX, with his Queen, and entourage of the royal family, the Prime Minister, officials in the Ministry of Defence, and other government departments, first offer prayers at the Emerald Buddha temple. This is followed by visit to the pantheon to pay homage to the images of past Chakri rulers that are installed there.
The coronation ceremony, which marks the crowning of the king, is an important event of the Chakri dynasty. One such recent event took place when the present Rama IX was crowned the King. On this occasion, the King came to the Chapel Royal- the Wat Phra Keo – in a procession wearing a 'Great Crown'. After entering the chapel, the king made offerings of gold and silver flowers to the deity and also lighted candles. He also paid homage to the images of Buddha that represented the past kings of the dynasty. In the presence of assembled elite clergy of the kingdom, he took a formal vow of his religion and his steadfastness to 'Defend the Faith'.